Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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Deceptive Cadence
1:06 pm
Wed October 10, 2012

During Lockout Season, Orchestra Musicians Grapple With Their Future

The Minnesota Orchestra is one of many orchestras around the country dealing with labor disputes.
Greg Helgeson

Originally published on Thu October 11, 2012 10:05 am

It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.

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Theater
12:33 pm
Tue September 18, 2012

Shorts Inspire Music In 'Sounding Beckett' Trilogy

In Ohio Impromptu, one of three short plays featured in Sounding Beckett, the silent character (Philip Goodwin, left, with Ted van Griethuysen) inspired music based on knocks and repetitions.
Jeremy Tressler Sounding Beckett

Originally published on Tue September 18, 2012 4:09 pm

It all began last year, when the Library of Congress presented Samuel Beckett's Ohio Impromptu alongside a piece of music by composer Dina Koston, which responded to the text. A New York group, the Cygnus Ensemble, played the music, while Washington, D.C., director Joy Zinoman staged the play, for one night only.

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Deceptive Cadence
3:39 am
Sat August 4, 2012

Gathering Of The Viols: The 50th Annual Viola Da Gamba Conclave

Jack Ashworth, Tina Chancey, Lisa Terry and Phillip Serna perform Sunday during the closing banquet of the weeklong conclave at the University of Delaware in Newark, Del.
Scott Mason

Originally published on Tue September 18, 2012 12:59 pm

Viola da gamba players are a special breed — a tiny subset in the already small world of early classical music. They rarely meet their own kind, but once a year they come together for a week in July at an annual jam session they call a conclave. Wendy Gillespie, who just finished her term as president of the Viola da Gamba Society of America, says attending the event is the highlight of her year.

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Remembrances
10:43 am
Sun July 15, 2012

'Oklahoma!' Actress Celeste Holm Dies At 95

Originally published on Sun July 15, 2012 3:10 pm

Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.

Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.

If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!

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Deceptive Cadence
11:03 pm
Fri July 13, 2012

Tanglewood: Celebrating Beethoven In The Backwoods For 75 Years

Christoph von Dohnanyi and the Boston Symphony play Beethoven in the opening night concert of the Tanglewood Festival's 75th anniversary.
Hilary Scott Boston Symphony

Originally published on Tue September 18, 2012 1:22 pm

It now seems like a natural rite of summer — open-air classical music festivals where audiences can hear great music while picnicking under the stars. But 75 years ago, when the Boston Symphony first performed on a former estate called Tanglewood in the Berkshire Mountains of Western Massachusetts, it was a novel idea.

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Music News
1:54 pm
Fri June 29, 2012

Young Musicians Leave Nest For New Opportunities

Nathan Schram (back row, third from left) performs with his students from PS 75 in Brooklyn.
Stephanie Berger Getty Images

Originally published on Sat June 30, 2012 5:48 am

The odds of making it in the classical music business are long, but for the past two years, 25-year-old viola player Nathan Schram has received a stipend, health insurance, lots of amazing performance opportunities and a real-world education teaching violin students at an inner-city elementary school in Brooklyn. Now, Schram and his colleagues have to say goodbye to The Academy.

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Deceptive Cadence
11:03 pm
Fri June 1, 2012

A (Very) Young Composer Gets His Chance At The New York Philharmonic

Very Young Composer Milo Poniewozik at the New York Philharmonic's School Day Concerts, where his piece was performed in front of more than 2,000 kids.
Michael DiVito New York Philharmonic

Originally published on Tue September 18, 2012 1:51 pm

What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it's a dream come true, thanks to the orchestra's Very Young Composers program.

Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.

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Theater
11:41 pm
Thu April 26, 2012

Managing The Gershwins' Lucrative Musical Legacy

In Nice Work If You Can Get It, Matthew Broderick plays Jimmy Winter, a New York playboy of the Prohibition era. The show is at the Imperial Theatre.
Joan Marcus Boneau/Bryan-Brown

Originally published on Fri April 27, 2012 4:24 am

In the 1920s, it wasn't uncommon for the Gershwin Brothers — composer George and lyricist Ira — to have two shows running on Broadway at the same time. What's surprising is that this season, 75 years after George's death, it's happening again, with Porgy and Bess and Nice Work If You Can Get It.

It's no coincidence: Both shows were generated by the Gershwin estates, the nieces, nephews, grandnieces and grandnephews charged with looking after a legacy that's not only highly loved, but immensely lucrative — a multimillion-dollar-a-year responsibility.

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Theater
1:12 pm
Wed April 18, 2012

London Smash 'Two Guvnors' Comes To Broadway

Adapted from The Servant of Two Masters, the new comedy One Man, Two Guvnors follows the "always famished and easily confused" Francis Henshall (James Corden, left), who must combat his own befuddlement while keeping both of his employers — a local gangster and criminal-in-hiding Stanley Stubbers (Oliver Chris) — from meeting.
Tristram Kenton

Originally published on Wed April 18, 2012 2:54 pm

If you weren't a college theater major, you can be forgiven for not knowing much about commedia dell'arte, the 500-year-old theatrical tradition that Carlo Goldoni used for his comedy The Servant of Two Masters in 1743. Contemporary playwright Richard Bean has adapted that play into the decidedly British laugh riot One Man, Two Guvnors -- and he says all you really need to know about commedia is ... well, it's funny.

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Theater
12:27 am
Thu April 5, 2012

A Fruitful Collaboration Still Yielding Broadway Hits

A crowd-pleasing revival of Andrew Lloyd Webber and Tim Rice's rock opera Jesus Christ Superstar has transferred from Canada's Stratford Festival to Broadway.
Joan Marcus

Since they made their debut in 1971, it's been rare for Andrew Lloyd Webber and Tim Rice to not have a show on Broadway. But now they're ramping it up, with the opening of Evita following fast on the heels of Jesus Christ Superstar.

"It's actually just a coincidence as far as I can tell, because the two shows came from totally different sources," Rice says. "And by sheer chance, they've arrived within two or three weeks of each other on Broadway, which is fun!"

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