David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
9:17 am
Fri December 9, 2011

Spies Like Them: 'Tinker, Tailor' And Other Odd Ilk

Operative Jim Prideaux (Mark Strong) goes undercover in Hungary to find out more about a possible Russian spy within the U.K.'s secret intelligence agency.
Focus Features

Originally published on Fri December 9, 2011 11:28 am

Most people will find the first 20 minutes of Tinker, Tailor, Soldier, Spy difficult to follow — I did, and I've read John le Carre's novel and seen the haunting 1979 BBC miniseries starring Alec Guinness, although decades ago.

The movie is chopped up into short scenes featuring people we don't know working for a circus — what? — and for someone called "C," and talking about a woman called Karla? Meanwhile, the star, Gary Oldman, doesn't say a word for the first 18 minutes.

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Movie Reviews
10:23 am
Fri December 2, 2011

For Fassbender, Two Perspectives On The Perils Of Sex

Fassbender's Carl Jung — Sigmund Freud's protege — struggles to reconcile theory and practice in A Dangerous Method.
Sony Pictures Classics

The Irish actor Michael Fassbender stars in two current films that revolve around the perils of sex — which means you see him have a lot, so he'll have something to regret.

You know how the sex will play out in Shame, because of, well, the title. Fassbender plays a sex addict, Brandon Sullivan, born in Ireland, raised in New Jersey, and he seems to work in advertising, which is unfortunate since he resembles Mad Men's John Hamm.

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Movie Reviews
11:42 am
Wed November 23, 2011

'Hugo:' A Dazzling 3-D Display Of Movie Magic

Orphan Hugo Cabret (Asa Butterfield and his vivacious new friend Isabelle (Chloe Grace Moretz) marvel at the magic of the motion picture in Hugo.
Jaap Buitendijk Paramount Pictures

Originally published on Wed February 22, 2012 10:53 am

In Hugo, Martin Scorsese has hired himself a bunch of A-plus-list artists and techies, and together they've crafted a deluxe, gargantuan train-set of a movie in which the director and his 3-D camera can whisk and whizz and zig and zag and show off all his expensive toys — and wax lyrical on the magic of movies.

The source is Brian Selznick's illustrated novel The Invention of Hugo Cabret, which takes place in 1930 and centers on an orphaned 12-year-old, played in the film by Asa Butterfield, who lives in a flat in the bowels of the Paris station.

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Movie Reviews
5:58 pm
Thu November 17, 2011

'The Descendants': In Paradise, A Stranger To Himself

Island Son: George Clooney (left, with Shailene Woodley and Amara Miller) navigates tricky territory as a Hawaii man whose wife is on life support.
Fox Searchlight Pictures

Writer-director Alexander Payne is either the American cinema's most acerbic humanist or its most empathetic jerk. Whichever it is, the protagonists of the novels he adapts are outsiders who pay an emotional price for their sense of superiority.

Payne's The Descendants is his first film to be told from the perspective of a person of privilege, but real-estate lawyer Matt King (George Clooney) is the ultimate outsider: a stranger to his family and his lifelong home, Hawaii.

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Movie Reviews
10:10 am
Fri November 11, 2011

As The World Ends, A Certain 'Melancholia' Sets In

Kirsten Dunst's well-planned wedding takes place as a planet called Melancholia heads directly towards Earth.
Magnolia Pictures

Metaphors don't come balder than the one at the center of Lars von Trier's Melancholia. It's both the emotional state of the protagonist Justine, played by Kirsten Dunst, and also the name of a small planet on what might be a collision course with Earth. Actually, it does strike Earth in a lyrical, eight-minute, slow-motion prelude, but there's no way to know if that's real or a dream. Of course, the whole film can be taken as a dream, a bad but gorgeous one scored to the same few bars of Wagner's Tristan and Isolde.

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Movie Reviews
10:54 pm
Thu November 3, 2011

'Crazy' In Love, And Feeling Every Moment Of It

In Drake Doremus's drama Like Crazy, the lovestruck Jacob (Anton Yelchin) and Anna (Felicity Jones) are forced to separate when Anna violates the terms of her student visa.
Fred Hayes Paramount Vantage

Movies are often about falling in love and sometimes falling out of love, but the best for my money are about falling in and out of love in a way you'd need a higher order of physics to graph. That higher physicist could start with Drake Doremus's drama Like Crazy, which evokes as well as any film I've seen the now loopy, now jagged flow from infatuation to intoxication to addiction to withdrawal to re-addiction. It's not an especially deep or psychological movie. It's just crazy painful.

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Movie Reviews
8:19 am
Fri October 28, 2011

Shakespeare, Thompson: Stick To The Print Versions

Rhys Ifans plays the Elizabethan aristocrat Edward de Vere in Roland Emmerich's Anonymous. The movie speculates that de Vere, not Shakespeare, was the real author of the bard's works.

Reiner Bajo Columbia Pictures

Two new films show how tough it is to do justice to good writers on-screen. Johnny Depp certainly means to do right by his pal Hunter S. Thompson in The Rum Diary. He played Thompson in Terry Gilliam's rollicking but not especially watchable Fear and Loathing in Las Vegas, and narrated a documentary about him.

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