Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

Pages

Movies
1:24 pm
Mon April 15, 2013

On The Big Screen, The Tax Guy Can Be Your Buddy

The paying and collecting of taxes might not be the sexiest plot point in an industry that depends on sizzle. But that doesn't mean revenuers haven't made their mark on screen.
Airyelf iStockphoto.com

Originally published on Mon April 15, 2013 7:02 pm

It's fair to say that the bakery employees who hooted and jeered "tax maaaaaan" when mild-mannered auditor Will Ferrell showed up in Stranger than Fiction were no fans of the Internal Revenue Service. In that, they're like a lot of us, no?

So it's intriguing that Hollywood generally treats tax inspectors as nice guys. On the big screen, it's typically their IRS bosses who are the bad ones.

Read more
Movie Reviews
2:29 pm
Fri March 29, 2013

A Film So Sumptuous, 'Renoir' Himself Might Have Helped Out

Jean (Vincent Rottiers) assists his ailing father, the artist Pierre-Auguste Renoir (Michel Bouquet), in his studio on the French Riviera.
Samuel Goldwyn Films

Originally published on Fri March 29, 2013 4:55 pm

The year is 1915. A beautiful young woman bicycling through sun-dappled woods passes under an effigy of a German soldier and seems entirely unfazed. World War I is raging elsewhere in Europe, but here on the French Riviera life is serene.

The cyclist, Andree, is on her way to pose for an elderly Impressionist painter, Pierre-Auguste Renoir (Michel Bouquet), whom she somewhat startles by claiming to be an artist herself.

"An artist," wonders the great man.

Read more
Movies
2:23 pm
Wed March 27, 2013

Hollywood's History Of Putting Gay Rights On Trial

Originally published on Wed March 27, 2013 6:55 pm

With the Supreme Court hearing arguments this week on same-sex marriage, I'd like to point out a parallel evolution in what I see as a Hollywood mini-genre: films in which gay characters are either taken to court or seek redress in court for issues involving their sexuality.

Arguably the most famous question ever asked in a courtroom about a line of poetry — "What is the love that dare not speak its name?" — was originally put to playwright Oscar Wilde in 1894 by a British prosecutor. It was an attempt to trap Wilde into admitting to then-illegal homosexual conduct.

Read more
Movies
1:32 pm
Fri March 1, 2013

Fairy Tales For Grown-Ups? More Are On The Way

Rachel Weisz plays the witch Evanora in director Sam Raimi's upcoming Oz: The Great and Powerful. The film is one of nine upcoming Oz adaptations and tackles more frightening and adult themes than those that came before it.
Walt Disney Pictures

Originally published on Fri March 1, 2013 6:01 pm

Adaptations of fairy tales are everywhere you look. The TV show Once Upon a Time and the police procedural Grimm are in their second seasons. Hansel and his sister Gretel are at the cineplex hunting witches with machine guns. Jack, of beanstalk fame, starts slaying giants today. And those aren't the only bedtime stories that have been redesigned to keep 20-somethings up at night.

Read more
Oscars 2013: The 85th Annual Academy Awards
10:54 am
Fri February 22, 2013

Despite Dark Themes, A Big Oscar Bounce

Despite its dark themes (slavery and the Civil War are hardly feel-good topics), Lincoln, like other Oscar nominees, has done very well at the box office. Disney has spent about $10 million campaigning for the best-picture prize, hoping for a payoff down the line.
DreamWorks

Originally published on Fri February 22, 2013 4:47 pm

How much is a best-picture Oscar worth? Not the statuette — winners are required to sell that back to the Academy for a buck if they want to get rid of it. No, what's the Oscar worth at the box office?

Read more
Monkey See
3:44 pm
Thu January 24, 2013

Home Video Review: 'Buster Keaton: The Ultimate Collection'

Buster Keaton, aka "The Great Stone Face," brought side-splitting comedy to the silent-screen era. Here, he's pictured in 1924's The Navigator.
Kino Lorber

Time now for a home-viewing recommendation from NPR movie critic Bob Mondello. A quiet recommendation — because Bob is touting the Ultimate Buster Keaton Collection, a 14-disc set of classic silent comedies.

Silent film had three great clowns. Charlie Chaplin's Little Tramp is the one everyone remembers; all-American daredevil Harold Lloyd is the one who made the most money; and Buster Keaton was the genius.

Read more
Monkey See
1:03 pm
Tue January 15, 2013

Home Video Review: 'Slings And Arrows'

Richard (Mark McKinney) and Sanjay (Colm Feore) get up close and personal in the zany backstage comedy Slings and Arrows.
Ken Woroner Acorn Media

Originally published on Fri January 18, 2013 5:16 am

Time now for a home-viewing recommendation from movie critic Bob Mondello. He recently caught an online episode of the Shakespeare-centric comedy Slings and Arrows and says it reminded him how much he liked the whole series.

Read more
Monkey See
2:12 pm
Mon December 31, 2012

Bob Mondello's Best Movies Of 2012

Cousin Ben (Jason Schwartzman), Sam (Jared Gilman) and Suzy (Kara Hayward) show that nothing can stand in the way of young love in Wes Anderson's Moonrise Kingdom.
Niko Tavernise Focus Features

Originally published on Wed February 20, 2013 10:41 am

A lot of movie box-office records fell in 2012. The comic-book blockbuster The Avengers had the biggest opening weekend in Hollywood history. Skyfall will be the first James Bond film to top $1 billion worldwide. And the box-office year as a whole is easily the movie industry's biggest ever. But what about quality? Perhaps surprisingly, the news is good there, too.

Read more
Movie Reviews
3:25 pm
Thu December 13, 2012

A 'Hobbit,' Off On His Unhurried Journey

Bilbo Baggins (Martin Freeman) takes a fantastic adventure across Middle-earth in Peter Jackson's prequel to his Lord of the Rings trilogy.
James Fisher Warner Bros. Pictures

Originally published on Thu December 13, 2012 6:01 pm

The Hobbit's path to the screen may have started out as tortuous as a trek through the deadly Helcaraxe, filled with detours (Guillermo del Toro was initially going to direct), marked by conflict (New Zealand labor disputes) and strewn with seemingly insurmountable obstacles (so many that the filmmakers threatened to move the shoot to Australia).

Read more
Movies
2:24 pm
Fri December 7, 2012

Hollywood Heights: The Ups, Downs And In-Betweens

Nicole Kidman and Tom Cruise at the Writer's Guild Awards in Beverly Hills in 1998.
Ron Wolfson Landov

Originally published on Fri December 7, 2012 9:50 pm

Hollywood can make any actor look imposing by shooting from a low angle or building sets with short door frames. But the fact is that we want our heroes big and our villains bigger, and the average male actor is about the same size as the average American male — roughly 5 foot 9 1/2. And some very "big" stars have been a good deal less than that.

Read more

Pages